To trick the 123d software I deliberately took photos which had one common element; my shadow. So in composition the model became elongated as the images attempted to stitch together elements whilst being confused about the colour contrast.
Image one – Survey results
The image were of 270 degrees of the planter to ensure my shadow was always in the photo. The resulting model created a temporal mapping of my shadow as if to reveal a tertiary landscape of areas unseen by the sun.