Following on from Danielle’s comments last week I have filled in some more gaps but still need a big “WHY” image.
For me the “why” has always been more of a “because”. Dungeness is a unique instance where boundaries and experiences are so juxtaposed against each other it allows distinct narratives to be drawn between them. Dungeness is a physical representation of ones consciousness, most people are in a constant state of turmoil about who they are, bounded by ideals, experiences, memories and rules a person becomes a representation of their environment, as is Dungeness.
The project is a comment on how architecture is traditionally informed by the place, here the place is informed by architecture. My project manipulates place to provide an architectural experience in the form of land moving acts for which the main characters are the juxtaposed personalities.
… this being said.. still struggling to communicate that, it’s not the Palm Dubai, honest.
So drawings, after being filled with several kilos of chocolate I spent much of the week updating pages in the book (will be 200 pages by next week) and adding more depth to the project.
4 maps updated to look more like admiralty chart maps, also longitude and latitude are centred at the staging post.
3 Acts on 1 drawing, we haven’t discussed this drawing previously but I needed a map with all the elements, and didn’t want it to look like the others:
View from the Rehearsal stage to Act 1 – Energy Protection:
Still working on this, the Victorians jumped back in their TARDIS:
Site plan of Staging post in 2020 at the start of Act 1:
Tidal analysis (tech):
Simple Climate page to go before a solar study on the home orientation for tech element.
All the plots which are to be relocated during Act 2:
Following the Lieb House precedent a tech focused drawing regarding extracting the homes.